Silver Spring Stage: Seascape
Seascape
by Edward Albee
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Seascape by Edward Albee January 11 - February 3, 2008

Director: Laurie Freed

Evening Performances:
January 11, 12, 18, 19, 25, 26, February 1 and 2 at 8

Sunday Matinees:

January 20 and February 3 at 2

"A seriously funny look at the human, not-so-human condition"

"the current production down at Silver Spring Stage smartly remembers, is that Albee’s plays are quite funny. ... Director Laurie Freed has directed several other Albee plays in the past and certainly has an understanding of his skewered world, both its humorous surface aspect and the more probing and serious undercurrents. ... Plus the quartet of actors do a great job in these strange roles. ... this production is good enough that you accept Albee’s oddball characters and situations as calmly as you would anything from Neil Simon." --- David Cannon, Montgomery Sentinal, January 17, 2008 Read the article


Silver Spring Stage presents Edward Albee’s Pulitzer Prize winning comedy on adult communication Seascape, directed by Laurie Freed, produced by Jerry Schuchman. Funny and touching, the play delves into the meaning of life for two couples set on a beach. Seascape will run weekends January 11 to February 3, 2008.

Silver Spring Stage is located in the Woodmoor Shopping Center, lower level (next to the CVS) at Colesville Road and University Boulevard. Ticket prices range from $13 to $18. Performances are Friday and Saturday at 8:00 PM and Sunday matinees on November 11 and December 2 at 2:00 PM. Tickets can be purchased at www.ssstage.org. Information is also available by calling (301) 593-6036.

“I don't know what it's about. I don't think in those terms. I know what happens, but I don't know what it means,” said Edward Albee at opening night party for the Lincoln Center revival of Seascape. Only Edward Albee could so expressively and movingly write of the timeless exploration of the meaning of life and the evolution of relationships with a middle-aged couple and two young lizards. The original 1975 production had a brief run on Broadway, but captured the attention of the Pulitzer Committee, who awarded the play its Prize for Drama – the second for the playwright. A 2005 revival by Lincoln Center Theatre sparked renewed interest in the play. Why does it capture the imagination? The theme of adults entering into a new phase of their relationship, whether older or younger, continues to resonate with audiences. We can all see ourselves in either the middle-aged Nancy and Charlie or the adventurous Sarah and Leslie. Even with the theatrical nature of the lizards (and what better way to represent evolution than to display it figuratively as lizards crawling out of the ocean) and the surrealism of a Becket-like beach, the play is very accessible for the touching wonder of how two people can build or rebuild a life together. And unlike most Albee plays, there’s a happy ending. Clive Barnes of the New York Times, wrote, "it is a curiously compelling exploration into the basic tenet of life. It is asking in a lighthearted but heavy-minded fashion whether life is worth living. It decides that there is no alternative."

On a deserted stretch of beach a middle-aged couple, Nancy (Michelle Trout) and Charlie (Craig Miller), relaxing after a picnic lunch, talk about home, family and their life together now that the children are grown up and they have only each other. They are joined by two sea creatures—lizards, Leslie (Brandon Mitchell) and Sarah (Robin Covington) who have decided to leave the ocean depths and come ashore. Initial fear and suspicion of each other, are soon replaced by curiosity and, before long, the humans and the lizards (who speak admirable English) are engaged in a fascinating dialogue. The lizards, who are at a very advanced stage of evolution, are contemplating the terrifying, yet exciting, possibility of embarking on life out of the water; and the couple, for whom existence has grown flat and routine, search for their next stage of evolution. Albee imbues these conversations with warmth, humor, emotional honesty, and his trademark poetic eloquence, that will linger in the heart and mind long after the play has ended.

The production team includes Meaghan Callahan (Stage Manager), Scott Bloom (Sound Design), Mike Leahy (Set Design), Don Slater (Light Design), Eric Scerbo (Costume Design), and Tom Smith (Master Carpenter).

The Stage's 40th anniversary season continues with a special holiday show The Cripple of Inishmaan (Feb. 22-Mar. 16); Communicating Doors (Apr. 11-May 4); Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean (May 30-June 22); and Deathtrap (July 11-Aug. 3).

Silver Spring Stage is grateful for support from the Arts and Humanities Council of Montgomery County and the Maryland State Arts Council.

 

 













© 2005 Silver Spring Stage • Woodmoor Shopping Center • 10145 Colesville Road  • Silver Spring, MD 20901
All programs at Silver Spring Stage are made possible by support from the Arts and Humanities Council of Montgomery County, the Maryland State Arts Council and the Combined Federal Campaign.
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